About Carole
Carole Lombard (born Jane Alice Peters; October 6, 1908 – January 16, 1942) was an American actress, particularly noted for her energetic, often off-beat roles in screwball comedies. In 1999, the American Film Institute ranked Lombard 23rd on its list of the greatest female stars of Classic Hollywood Cinema. Lombard was born into a wealthy family in Fort Wayne, Indiana, but was raised in Los Angeles by her single mother. At 12, she was recruited by director Allan Dwan and made her screen debut in A Perfect Crime (1921). She signed a contract with the Fox Film Corporation at age 16, but mainly played bit parts and was dropped after a year. Her career came close to ending shortly before her 19th birthday when a shattered windshield from a car accident left a scar on her face, but she overcame this challenge and appeared in 15 short comedies for Mack Sennett from 1927 to 1929, and then began appearing in feature films such as High Voltage (1929) and The Racketeer (1929). After a successful appearance in The Arizona Kid (1930), she was signed to a contract by Paramount Pictures. Paramount quickly began casting Lombard as a leading lady, primarily in drama films. Her profile increased when she married William Powell in 1931, but the couple divorced amicably after two years. A turning point in Lombard's career came when she starred in Howard Hawks's pioneering screwball comedy Twentieth Century (1934). The actress found her niche in this genre, and continued to appear in films such as Hands Across the Table (1935, forming a popular partnership with Fred MacMurray); My Man Godfrey (1936), for which she was nominated for the Academy Award for Best Actress and co-starring with Powell; and Nothing Sacred (1937). At this time, Lombard married Clark Gable, and the supercouple gained much attention from the media. Keen to win an Oscar, Lombard began to move toward serious roles at the end of the decade. Unsuccessful in this aim, she returned to comedy in Alfred Hitchcock's Mr. — Source: Wikipedia